Fast, Cheap & Out of Control may be Errol
Morris' most unusual work yet. Morris himself calls it
"the ultimate low-concept movie - a film that utterly
resists the possibility of a one-line summary."
The film interweaves the stories of four obsessive men, each
driven to create eccentric worlds of their dreams, all involving
animals: Dave Hoover, a lion tamer who idolizes the late Clyde
Beatty, and who shares his theories on the mind of wild animals;
George Mendonça, a topiary gardener who has devoted a
lifetime to painstakingly shaping bears and giraffes out of
hedges and trees; Ray Mendez, who is fascinated with hairless
mole-rats, tiny buck-toothed mammals who behave like insects;
and Rodney Brooks, an M.I.T. scientist who has designed complex,
autonomous robots that can crawl like bugs without specific
instructions from a human controller. As the film proceeds,
thematic connections between the four protagonists begin to
emerge. The lion tamer and the topiary gardener look back at
ways of life which are slowly disappearing; the mole-rat
specialist and the robot scientist eye the future, envisioning
creatures that may someday replace the human race.
The film's style is as adventurous as its subject matter.
Working with Oscar-winning cinematographer Robert Richardson
(Natural Born Killers, Casino) Morris
utilizes numerous film formats and resolutions - including black
& white, color, 35mm, l6mm, Super 8 and video, as well as
stock footage, old movies and cartoons--to create a singularly
impressionistic collage of images. Morris' trademark unblinking
interviews were shot with his invention, the Interrotron, which
allows his subjects to look directly into the camera lens and,
at the same time, have eye contact (through an image projected
on a teleprompter) with Morris. The film's unique vision is
echoed by Caleb Sampson's haunting and powerful score.
Hilarious, sad, absurd, eerie and beautiful, Fast, Cheap
& Out of Control is a film like no other. Starting as
a darkly funny contemplation of the Sisyphus-like nature of
human striving, it ultimately becomes a profoundly moving
meditation on the very nature of existence.
A FOURTH FLOOR PRODUCTION in association with AMERICAN PLAYHOUSE
Director/Producer...ERROL MORRIS
Co-Producers...JULIA SHEEHAN, MARK LIPSON & KATHY TRUSTMAN
Executive Producer...LINDSAY LAW
Original Music...CALEB SAMPSON
Director of Photography...ROBERT RICHARDSON
Editors...SHONDRA MERRILL & KAREN SCHMEER
Production Designer...TED BAFALOUKOS
Awards:
Best Documentary, 1997
- National Society of Film
Critics
- National Board of Review
- Boston Society of
Film Critics
- Florida Film Critics Circle
- Society of
Texas Film Critics
- Independent Spirit Award
Best Non-Fiction Film, 1997
- New York Film Critics
Circle
Filmmaker Award, 1997
- IFP Gotham Award (first time ever
awarded to documentary film)